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Posts Tagged ‘Log Horizon’

Tamako

With another year behind us, time to share the best of the recent anime offerings. As always at this place, I have a Top 12 list. What is different from usual is that movies, OVAs and ongoing shows are all off-limits. With plenty of good shows out this year, it was difficult enough cutting the numbers down as it is… Which is very good news!

 

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#12 Amagi Brilliant Park

This was a very good year for KyoAni. Tamako Market came back with all the visual power and none of the meandering weakness of the main series, making for the best KyoAni work in some time. Free and Chuunibyou had satisfying second seasons, and last but not least, we also got Amagi Brilliant Park.

With a silly and unique premise, Amagi was a huge unknown before it aired. And thankfully, it remained an unknown until the very end, with different wackiness taking place every week. Down-to-earth problems and magical cataclysms went hand in hand in this show, mixing a dream with a familiar “workplace” feeling for a highly memorable result.

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#11 Gekkan Shoujo Nozaki-kun

It is crazy. It is fun. Plenty of people include this one in their favorites for the year, and I am not surprised.

If I liked the remaining characters as much as I liked the Nozaki-Chiyo-Mikoshiba trio, this would have been even higher.

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#10 Hanayamata

A simple story of a newly founded club aiming to prove themselves made fresh through exceptional presentation and organic relationships between the characters. Of note is the multi-layered title as well as the OP/ED combination moret than worthy of representing a dancing anime. It is too bad the middle and end of the anime are not quite as powerful as the briskly-paced and gorgeously animated opening episodes, but it is still a pleasant journey into the world of yosakoi.

mikakunin_de-shinkoukei #9 Mikakunin de Shinkoukei – Engaged to the Unidentified

For the most part, I have flawed but memorable series on this list. But from time to time, there are series like Mikakunin de Shinkoukei, which just never stumble and make that their foremost charm point. Simple and sweet, but inventive enough in its take on the central romance story not to feel repetitive, this show is a recommended pick for anyone looking for a dose of cute and relaxation.

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#8 Yuuki Yuuna wa Yuusha de Aru

For many of the things YuYuYu did throughout its run, there is some magical girl show out there that did it better. Which is why the beauty of the show lies in all the things you can get here and nowhere else.

There is the terror that comes not during a fight, but after it is long over – the time when you wonder if that is really the end or not, the time when you listen to a friend report on her injuries, and then reassure them while hiding your own fears and wounds.

There is that moment when having successfully defeated twelve powerful monsters, you and your comrades take on the last small fry five on one… and nobody can quite get it together and make the first move, because now, now you suspect all the magic and power might not have been free after all.

Certainly a series with some issues, but the interesting bits make up for it. With the last episode having aired recently, I am still reanalyzing some of the events in the final episodes (as well as reading the Washio Sumi wa Yuusha de Aru prequel novel), so I have my doubts about the show’s exact position on this list, but it is definitely worth a try for fans of the genre.

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#7 Nagi no Asukara

Give Okada Mari two cours to work with, and you will get plenty of believable human drama and a sprawling but messy plotline. Okada did that with Wixoss this year, and the same goes for this show.

But the ambition behind this show sets it apart from other Okada works. There is a tug-of-war between the yin-yang worlds of sea and land presented in this show and the individual stories of each character. But at times the two threads beautifully intersect, creating patterns which could not possibly come to be in a different setting – like when a time-skip affects only half the cast, completely changing the rules of the relationship game.

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#6 Saki: Zenkoku-hen

Kan, kan, kan!

I want a Shinohayu anime.

Ritsu, draw faster nghhh…

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#5 Black Bullet

Probably my favorite setting of the year, providing an excuse to pair up mercenaries and overpowered lolis on a planet-wide zombie hunt while also raising some questions of morality and portraying “life” as a powerful and universal, but also selfish force.

And yes, it did use all that potential in very weird ways. Kind of like bringing a shotgun to a fistfight only to try shooting it with your feet…

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#4 Log Horizon

I mentioned this show last year, and my thoughts on it have not changed that much. It is one of the few anime of this type made with Japanese taxpayers’ money, and it shows. And I do not mean the cheap art and animation (those are certainly present). Log Horizon does not really care for universal appeal, so it does whatever it wants with its pacing and developments. You would kind of expect a series of boss fights to end with some great achievement, but not this show, here they will just have a talk. Talking is important.

I cannot exactly predict where this show will go at any given time, which I happen to like. Keeps me on my toes.

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#3 Rokujouma no Shinryakusha!?

The best part about the show is that it carries all its likely weaknesses on its sleeve. It looks a little cheap, right? And the male-female ratio hints at harem mayhem.

Well, that just means that all the show’s surprises are for the better. This is a story of supernatural, extraterrestrial and sometimes cosplaying misfits locked in a struggle for six tatamai mats’ worth of space for the glory of their respective civilizations. Or saving the world. Or saving up on rent.

When the rivalry and insanity finally give way to camaraderie, an incredible team, or maybe even a family, is born. And there is plenty of trouble for them to face, all for the viewers’ satisfaction.

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#2 No Game No Life

So if you thought you need to be smart to write stories about smart people… well, you probably have a point. However, NGNL proves that layers upon layers of presentation do much to cover up the warts.

What really makes NGNL work, though, is its determination to march forward without falling too much in love with any of its gags or ideas. The show is like a magician burning through one trick after another. And certainly, you already know some of those tricks and are not always equally amused. But the magician winks the disappointment away and fluidly moves into the next part of the spectacle.

Still, no show can go on forever. And in the end, when the lights go on, the audience might realize the tricks were just that, empty tricks. How do you prevent that? You do not let the show end. You turn the performance into a part of a greater trick, ongoing even as the audience leaves their seats.

NGNL ends in the middle of things, and had the show not found a way to deal with that (by diverging from the source material, too), it might have fallen off this list completely. But that is not how things turned out, and here it is.

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#1 Fate/Kaleid Liner Prisma Illya 2wei!

I do not think there was another anime this year that consistently knew exactly what it wanted to do and how to go about doing it quite as much as Illya Zwei did. Combining a flexible and inspired direction style with Silver Link’s steady craftsmanship, the show constantly provided varied and gripping entertainment.

In a year with shows like Kill La Kill and Ping Pong to compete with on the visual front, Illya owes a lot to the art of restraint. Presenting a wide variety of tricks, but determinately avoiding repetition, the show always knows how to make the most of its potential. Most memorably, the show often chooses to make its statements by not-showing, rather than showing characters and their actions. During the farcical mud-trap rescue scene in the beginning of the show, the technique brings out the absurdity and comedic potential of what should be a clichéd transformation scene. During the mid-show confrontation between Kuro and Miyu, the same technique ends up filling a simple conversation with tension and allows for a dynamic switch straight into the action. Illya takes a similarly free approach to its background music, using its presence and lack thereof to flexibly switch between serious and comedic developments.

No matter the skillful execution, I expected to be able to shoot the show down on the storyline and ending fronts, the former of which kept the original series safely in the “average” zone. But here the show starts making use of its Fate roots to introduce a struggle with the shadows of the past each of the characters carries, giving meaning to many of the events of the first season while simultaneously creating cracks in the characters’ armors. Zwei ends in the middle of the second manga series, and should by all means fall apart at the end, but here the series skillfully puts the spotlight on the paradigm shift ongoing in Illya’s mind. The determination to protect her dear ones and her everyday life was there to begin with, of course, but now she is forced to admit that what constitutes those things might have changed without her noticing. And the show’s willingness to bet on the small changes of its characters allows for optimism regarding the forthcoming third season.

To sum up, 2014 was more about good shows rather than truly spectacular ones. With Shirobako and Parasyte, as well as Fate UBW and Log Horizon continuing into the next year, though, it seems like there will be enough big hitters to talk about next year to make up for it. Here is to another great year for anime and everyone reading this post!

Full list of stuff I watched this year for people who have recommendations. A * mark indicates stuff I dropped, with a ** mark signifying a first-ep drop. (Which does not immediately imply the series is bad, though.)

Akame ga Kill!*
Amagi Brilliant Park
Bakumatsu Rock**
Barakamon**
Black Bullet
Blue Spring Ride
Denki-gai no Honya-san
Engaged to the Unidentified
Fate/Kaleid Liner Prisma Illya 2wei!
Free! Eternal Summer
Golden Time**
Gonna be the Twin-Tails!!
Gugure! Kokkuri-san*
Haikyuu!!
Hanayamata
I Can’t Understand What My Husband Is Saying
Invaders of the Rokujyouma?!
Jinsei**
Kill La Kill
Kuroko’s Basketball 2
Log Horizon
Love Stage!!
Love, Chunibyo & Other Delusions: Heart Throb
Magimoji Rurumo*
Monthly Girls’ Nozaki-kun
Nagi-Asu: A Lull in the Sea
No Game No Life
One Week Friends
Ping Pong The Animation
Rage of Bahamut: Genesis**
Riddle Story of Devil
Saki: The Nationals
Sakura Trick*
Seitokai Yakuindomo*(**)
Selector Infected WIXOSS & Spread WIXOSS
Soul Eater Not!
Sword Art Online II
Terror in Resonance
The Irregular at Magic High School
Wake Up, Girls!
When Supernatural Battles Became Commonplace
World Conquest Zvezda Plot*
Yuuki Yuuna is a Hero

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Welcome to my third end of the year post. I felt this year might have been lacking in ground-breaking series, but instead offered us many solid and consistently enjoyable works.

Without further ado, here is my personal top 12 of the year.

 

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#12 Log Horizon

This series is weird. Really, really weird. People expected this to be a SAO clone, but SAO played its tropes mostly straight, while Log Horizon does not seem to care about meeting anyone’s expectations. It rejects obvious sources of tension, like actually letting the characters die or face mortal peril. It rejects obvious sources of progression, like letting the characters grow in strength. It is flippant to the extreme, and I can only be curious where it goes from here.

 

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#11 The World God Only Knows Goddess Arc

I will not be be particularly original in elevating the third series of this franchise above its predecessors. It is a series which came this far parodying other titles of the genre, but it has now matured enough to subvert its own premises. If nothing else, this is probably the series with the most thematically fitting ending of the year. I have a hard time imagining a better ending than Keima throwing away the responsibility for the carnage of a hell-and-heaven war left behind him, only to face the smoldering remains of a more personal battlefield. Great stuff.

 

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#10 Fate/kaleid Liner Prisma Illya

I initially dropped this after watching the first episode, but giving the series a second chance was fully worth it. Prisma Illya is a curious series in that it does not even pretend to have any kind of story and rides entirely on its two characters and action sequences.  The action is superb. Miyu is cute and easy to empathize with. It is a very straightforward series, and successful for it.

 

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#9 Hidamari Sketch – Sae-Hiro Sotsugyou-hen

Two episodes presenting a (possible) conclusion to a four season franchise. More than anything else, this OVA is notable among other SoL shows for how it resists the temptation of overwrought drama and manages to remain true to its usual atmosphere while also doing justice to the storm of emotion wreaking havoc in Yuno’s heart. Hidamari-sou forever!

 

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#8 Monogatari – Second Season

I could never call myself a true fan of the Monogatari franchise, but this second season did much to win me over. The lessened focus on Araragi finally allowed other characters to come alive and add variety while retaining the strengths the series has gotten us used to. And Kaiki. Mostly Kaiki.

 

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#7 Chihayafuru 2

The second season was not always as well-paced and directed as the first, but it does not fall far behind either. I am still left holding my breath over the outcome of poem-smacking matches and in awe of the voice performances – including what are possibly my favorite roles by Miyano Mamoru and Kayano Ai.

I did not think we would be getting a second season, but now I hope I can be proven wrong once more. Hoping for a third meeting with this wonderful cast!

 

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#6 Kami sama no Inai Nichiyoubi

It is rare for me to be at a complete loss how to approach a show in terms of its messages and values, but Kami Inai makes a habit of subverting any expectations it builds up in this field. When you think the series is right about to make one moral point or another, the characters throw in the towel and admit they do not actually know what is right and wrong. But then again, that is fitting for a world where the rules are in constant flux and reality, both physical and spiritual, is not as consistent as one would expect it to be.

 

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#5 Kyousougiga

This is like Uchouten Kazoku, except it works. It is whimsical all around, straightforward where it counts. The kind of anime you can show to anyone. And there are gods and buddhas and other divine beings all over the place, so obviously I will have a soft spot for it xD.

 

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#4 Love Lab

Most reviewers agree that with its title and premise, Love Lab has no right to be as good as it is. The key to the show’s greatness is that it combines the strengths of a yonkoma/four-panel comedy with a strong central storyline and constant character and storyline development. This year saw plenty of great slice of life series, but the ability to hook the viewer on the story sets Love Lab apart from its peers and guarantees that even an unfunny gag (and no comedy can please all viewers all the time) is never completely useless.

 

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#3 Railgun S

The Sisters arc was carefully and beautifully executed, but truth be told, it was also something I have seen and read several times over in different incarnations of the franchise. Which means that yes, what really had me smiling fondly at the screen was the Silent Party anime-original arc. I am absolutely in love with the stuff they write for Railgun – the “filler” content for this series has a consistent theme in exploring Academy city and its society, makes full use of all available characters and is full of tongue-in-cheek fun. The final episode of this season is easily one of my favorite episodes of the entire year.

 

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#2 AKB0048

What can I say? There were some pacing issues, inconsistent episodes and funny CG, yes, but the emotional highs of the series left little time to think about such things. With its unique mix of sci-fi technology, creepy spirituality, conspiracy theories and tough idol business, AKB0048 stands as one of the most unusual anime series of recent years, even as it covers what seems to be familiar ground. Half the cast are either selfish or misguided, and yet it is difficult not to love them for their faults. After all, they are risking their lives and identities for our right to listen to pop music. Yeah.

 

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#1 Symphogear G

There was no way to predict how Symphogear would transform so much in its second season, but here it is. The series threw away all unnecessary weight and just went from one crazy cliffhanger to another. Great music, smart scripting and Yuuki Aoi with an incredible performance as the lead of the series.

If I have any complaints, it is that it is obvious that the creators were ready to end things with this season, and so put in a lot of effort to conclude plot points and deliver messages in the final episodes, which is perfectly fine for almost all series, but not something Symphogear needed that badly. At least not at the expense of its great speed and not with the now-announced season 3 ahead of us. But things ended with Miku saving everyone again, so I can forgive a lot.

Now I am seriously looking forward to S3. It is time to start guessing what crazy title the writers have in store…


2014 is right ahead of us, and there are already tons of things to look forward to! The newest Saki season starts airing January 5th, and I will probably end up posting about the series one way or another.

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